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Showing posts with label Film Movement. Show all posts
Showing posts with label Film Movement. Show all posts

Three Worlds


Three Lives Changed & A Short Film That Stuns!
Director Catherine Corsini has crafted a poignant, deliberate and angst ridden film openly displaying the wide range of human emotions between three people. Each one different, with their worlds intertwined in guilt, remorse, empathy and possible resolution. A middle-class man (Al) is out with his long time buddies drinking one night when they accidentally strike a pedestrian. Fleeing, they are witnessed from the balcony of a pregnant woman (Juliette), who calls the police. Al is only a few days from marriage and a new life at a high-class car dealership. He has everything to lose.

Juliette is having her own emotional upheavals and feels compelled to become part of the discovery of the driver. Adding to her dilemma, Juliette contacts and befriends the distraught victim's wife, Vera. Both Vera and her husband are illegal immigrants from Moldavia, adding to their problems of exposure and lack of finances for health care. Juliette also recognizes the guilt ridden driver when...
One Tragedy Affects Three Lives: What Might Have Been A Devastating Morality Play Unravels Like An Upscale Soap Opera Instead
The French drama "Three Worlds" has all the makings of a searing and unforgettable morality play. I was utterly fascinated by the situation it set up, the crisis in which it thrust its characters, and the weighty decisions each had to wrestle with. Despite my genuine enthusiasm about the concept, though, I feel like a lot of potential material was left unexplored. Though I liked the actors and thought the performances accomplished, the film maintains a chilly demeanor throughout which kept me emotionally distant. As much as I wanted to connect wholeheartedly with the moral quandaries that face the central characters, the movie's screenplay never invites a particular closeness. And in the end, several significant plot threads are left dangling in the wind. While this may sound like I actively dislike Catherine Corsini's film, nothing could be further from the truth. I liked it a great deal. I just think that it had the potential to be a devastating contemplation of guilt and...
Navigating guilt, personal responsibility, ethics, and attitudes towards immigrants
THREE WORLDS is a stunningly dramatic film directed by Catherine Corsini who co-wrote the story and screenplay with Beno

Aliyah


Searching For Identity: A Thoughtful Character Study Examines The Complexities Of Familial Responsibility
In every young person's life, they must assess the path they're on and make some fairly major decisions. Is it time for a course adjustment? Is it time to embrace adult opportunities and responsibilities? And if you do decide that you want a different future, is there still time to make changes? Or have your past indiscretions defined who you will be from now on? This is the crossroads that the protagonist of Elie Wajeman's "Aliyah" has come to face. Alex (Pio Marma

The Deflowering of Eva van End


Bittersweet movie of dysfunctional family
Let me state upfront that I am a huge fan of the Film Movement's library of foreign and indie movie. This is the July '13 release of the DVD-of-the-month Club (to which I subscribe). The movie will be available on Amazon as an Instant Video in early December.

"The Deflowering of Eva van End" (2013 release from the Netherlands; 98 min.) brings the story of the van End family, at first sight a seemingly 'normal' middle class Dutch family consisting of mom and dad, and their 2 sons Erwin and Manuel, and daughter, Eva, a very shy, introverted high schooler. As the movie opens, we see them having dinner, and Eva tries to tell them that a German exchange student is arriving soon for a 2 week stay, but she is ignored. When the German student arrives, a guy named Veit, the family is taken by surprise, but the parents readily accept Veit into their home. Veit is like a guy from another planet, almost too good and too nice to be true. Meanwhile we see the sons Erwin and Manuel...


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