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Showing posts with label Global Lens. Show all posts
Showing posts with label Global Lens. Show all posts

Gods (Dioses) - Amazon.com Exclusive


Very good performances and a few effective scenes
Judge Daryl Loomis, DVD Verdict-- Directed by Josué Méndez (Days of Santiago), Gods is a solid film, overall, but one with a few problems. He directs the film with a certain amount of style and draws good performances from all the actors, but the satire is too understated and I was left lacking the sense that he really takes a bite out of the Peruvian upper crust. He portrays the family as pretty scummy, and Elisa, while sometimes a sympathetic lead, comes off appropriately shallow, but I found the film to be a little bit that way, as well.

Because the characters and performances are good, I'm left to blame the story for the problems. While not badly told, necessarily, it feels as much like a slice of life film as anything else. Without a structured plot, it meanders until it ends and ends without a punchline. Truly effective satire must be pointed, and an open-ended storyline is a big hindrance to that. By allowing these characters to move freely in their...
Okay!
Visually, the girls alone are enough to buy the video. I first saw this on a cross country Virgin America flight, a very progressive airline apparently. A messy and unsatisfying movie in some ways, but movies are sometimes a window into things you don't necessarily encounter or want in your own life. I didn't like these people but that doesn't rule out watching them.
A close look at a privileged family in Peru
The beautiful fiancee of the rich patriarch is finding out what marrying this man will entail in terms of her new position in society and dealing with his rebellious teenage children. This is really well done and a fascinating study of these people and their problems. I don't want to give away where it all goes, but just say that I found the film a rewarding experience! Highly recommended.
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Getting Home (Amazon.com Exclusive)


Great film!
This is a must see film that easily found a place on my faves list. Beautiful cinematography of rural China paired with a compelling story and outstanding performance by Zhao Benshan make for a film that is simultaneously sweet, sad and funny. Lao Zhao's perseverance and plucky optimism in the face of adversity is uplifting and a lesson in finding joy in the small victories in life. After 5 years I'm surprised that it's still not available on Netflix when clearly it's available for purchase. I've caught it myself a couple times on IFC over the past couple of years.
Entertaining & enlightening
I very much enjoyed this film of contemporary China as seen through the trials and tribulations of a 50-year old migrant worker called Lao Zhao ("Old Zhao"). He works in construction in the megalopolis of Shenzhen in southern coastal China. When his co-worker dies, Lao Zhao attempts to fulfill a promise to bring him back home to his family in Sichuan province in the interior. The plot of "Getting Home" was apparently based on a true story. The Chinese title derives from the saying, "A falling leaf returns to its roots."

The film is both comic (with black humor involving the transport and preservation of a corpse) and sad. When the film opens, Lao Zhao thinks his friend has passed out at a cafe, but in fact he has died. The main character is never daunted. No matter what hardship he encounters en route to getting his friend to his native place, he perseveres. He feels joy in small victories, such as beating a water buffalo in a foot race or finding a tire that he can...
"Gettig Home" is exceptional
This is a terrific movie. The story with its many captivating sub-stories is very touching and the acting is exceptional.

I watch very few movies. After having seen a small part of "Getting Home" on Link TV I knew I wanted to see all of it. And when I told My family and friends about a movie, they knew it was exceptional and they wanted to watch it also. All of us have enjoyed "Getting Home."
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Song from the Southern Seas (Pesn' Juzhnykh Morej) - Amazon.com Exclusive


Worth Seeing
This is a beautiful movie filmed in black and white which interfaces well with the film's breathtaking simplicity. It opened my awareness to a part of the world with unfamiliar landscape and to people of a completely different culture.
I highly recommend this film.
Fabulous
I really enjoyed this film. It is a great story of irony and why not to assume anything. The setting of Kazakhstan is stunning and the characters are vibrant.
Friendship, trust, ancestry
The film is about the friendship of a Russian, fair-skinned fair-haired couple and a Kazakh dark-skinned, dark-haired couple and their trust (or lack thereof) in each other (fair/dark is essential to the plot). At time a raucous comedy, it manages to make telling points on friendship, roots and ancestry. Kyrgyz director Marat Sarulu has a light, deft touch and a sure pacing; the script (by Sarulu himself) is near perfect. There are many magical moments, some of them involving a parallel story told with shadow puppets. The action unfolds in Kazakhstan although it was actually filmed in Kyrgyzstan, in spectacular surroundings. The movie is spoken (mostly) in Russian.

By all means watch this movie. Director Sarulu (educated in Kyrgyzstan and Moscow) has directed four feature movies, one just completed. I have seen favorable reviews, but not the films themselves, and apparently they are not available in DVDs playable in Region 1.
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My Tehran for Sale (Amazon.com Exclusive)


Unique Australian/Iranian co-production bears the imprint of Granaz Moussavi's personal history
'My Tehran for Sale' is an interesting, unique co-production between entities in Iran and Australia. The story - involving elements of both countries - reflects aspects of the personal history of writer/director, Granaz Moussavi. A native Tehrani, Ms. Granaz emigrated to Australia along with her family in 1997. She's a graduate of Sydney's Australian Film TV and Radio School.

Using that unique background, Ms. Moussavi has created the story of Marzieh (Marzieh Vafamehr), a Tehrani-based avant garde actress stealthily performing her art beneath the noses of authority. A happenstance encounter with Saman (at a rave brutally broken up by the Basij), an Iranian with Australian citizenship, leads to a quickly blossoming romance and a possible path to Australia for Marzieh.

The need for that path becomes more desperate when Marzieh learns of a grave illness afflicting her. Attempting to lean on support from Saman, he reacts badly and abandons her. Yet interspersed...
Thought provoking
Artful film about Marzieh who is a young actress who is trying to get an application for asylum going while working on getting her background in art recognized and is recounting struggle throughout.

During these flashback sequences she meets an Australian at a rave club party and they plan to relocate to Adelaide in Australia. There is a scene where she is looking for her father only to be told he would kill her and so she eventually applies for political asylum as she is involved in a generation of contradictions and has to deal with their unsympathetic nature.

Director Granaz Moussavi, who has admitted in interviews to the film being a patchwork of incidents partially fictional and partially autobiographical, brings an astonishing authenticity to her feature film debut. Using lively, largely hand-held cameras, Moussavi's film carries an unmistakable documentary feel, making the subject matter of her film in tune with even more urgent realism and credibility...
The story behind the movie is courageous; the movie itself is OK
While the story behind the movie is courageous, that doesn't make the movie itself a great movie. It's an OK movie which offers insights into modern Iran to those of us who have never experienced it - and who, I hope, never experience anything like it.
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The White Meadows (Keshtzar Haye Sepid) - Amazon.com Exclusive


A MASTERPIECE
This film is an ABSOLUTE MASTERPIECE, every scene can be framed as a great piece of art. It is shot breathtakingly beautiful. And the metaphors, the meaning is deep and broad leaving you with thoughts and discussions for a life time.......I saw it few years ago and been looking for a DVD to be able to watch it again, and finally Amazon got it. The second viewing was as strong, as beautiful as the first. This is a film to be watched over and over again, to be watched in groups, in class rooms, to be discussed for it's depth, meaning and it's value as an art with it's breathtakingly beautiful and masterful cinematography.


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The Light Thief (Svet-Ake) - Amazon.com Exclusive


Wonderful Little Kyrgyz Movie Worth Seeing
Aktan Arym Kubat directed, cowrote, and stars in this Kyrgyzstan movie about failed economic policy (Soviet and post-Soviet) and the dying Kyrgyz culture. Kubat becomes an electrician, Mr. Light, after losing his job. It is a crime to steal electricity (of course), but the poor Kyrgyz of the Steppes are almost lost without it - they cannot get electricity because of high unemployment. The son of a local, now a state official, wants to exploit the area's resources for the good of the Kyrgyz, but not that of the "backwards" and culturally rich Kyrgyz people of the Steppes. There is an aire of corruption. Mr. Light has a great idea to use wind at the mountains' entrance to the valley to bring electricity, but the official wants to buy the lands in the area for other reasons and displace the villagers and raze the village, even bringing Chinese investors (I believe they want to make a huge resort of the area, and the wind farm would power it).

As somebody who enjoyed a...
(3.5 STARS) A Modern-day Fable in Kyrgyzstan
Set in a modern-day Kyrgyz village in the Tien Shan Mountains, "The Light Thief" follows the story of a middle-aged electrician Svet-Ake (played by director Aktan Arym Kubat), who tampers with meters for those who cannot afford to pay for electricity. He also dreams of providing the depopulated village with electricity by setting up wind turbines. It seems this is not likely to happen, however, as Svet-Ake, father of three daughters, has just lost his job - but a politician from the city arrives, offering a deal that Svet-Ake cannot refuse.

"The Light Thief" is the first film by Aktan Arym Kubat (formerly known as Aktan Abdykalykov) in nine years after his autobiographical trilogy. His latest film is most effective when it captures the life of the villagers with a simple narrative suggesting the social and economic changes that these people are about to experience. You may see the village's beautiful landscapes, but not young men and women, who have left the village for...

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Adrift (Choi Voi) - Amazon.com Exclusive


ADRIFT Proves Foreign Films Are A Sight To Behold
One of the many reasons that causes me to like more foreign films than American films is that foreign films are made without the added `creative interest' of the American studio system. Sometimes, it's hard to define what this means specifically to a film, but, in the case of ADRIFT, I can tell you that it most likely means no film executive spent great time reworking the script in order to woo major film stars to the vehicle; it means that no production executives spent great lengths trying to incorporate clever product placement strategies into the film's visual landscape; and it means that no creative personnel contributed countless hours of `rehash' to the completed projects. Simply put, it means that "what you get is what you see," and what you see with ADRIFT is a fantastic character drama built against the backdrop of a people at a cultural crossroads.

I've read (elsewhere) that the film - hailing from Vietnam - has been termed an "erotic drama," and I'll admit...
Standard art film, timing a bit off
This was a dark look at the daily struggles of daily life. I gave it a low rating because the editing is disjointed. This may be due to the heavy censorship because it deals with very sensitive subjects like drug abuse, prostitution, child abuse, and suicide. (by the way, this is not an erotic movie in anyway.)

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What a Wonderful World (Amazon.com Exclusive)


I love this movie! ^_^
I love this movie. Haven't had a chance to watch the copy I bought yet but I've watched it before. It's different then other films in the way it goes about telling it's story and etc, but it's a good film and people who appreciate movies as an art form or movies that are unique, will like it :)

Also, though I wasn't a fan of the cover art of the move, I do love that it comes with a little booklet inside the DVD case, that has a little synopsis of about 9-10 other foreign films from around the globe that came out the same year as this film.


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