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Showing posts with label Kino Lorber. Show all posts
Showing posts with label Kino Lorber. Show all posts

Bay of Blood: Kino Classics Remastered Edition [Blu-ray]


Bay of Blood (classic film, atrocious print)
Simitar video's transfer to DVD of this classic slasher film is nothing short of an abomination. The picture quality is inferior to my VHS print. Amazon have the aspect ratio as 2.35:1.It is 1.77:1 at best!
DVD Quality Scarier Than The Film
Terrible picture and audio quality on this DVD mar Bava's pioneering effort. The transfer is just the pits, I'm sorry to say, and takes away from the film's enjoyment.

There's rumored to be another release of this coming from the same folks who recently released "Black Sunday", with which they did an excellent job. Wait for that, and pick up "Black Sunday" or "Baron Blood" in the meantime.
You Can Leave Her Hanging: Bava on Blu Ray
This is more a review based on the quality of the Blu-ray than an overview of the film. If you're a fan of slasher films or giallo horror, then this is well known as a masterpiece. It is a giallo classic, and it is a precursor to the slasher film. It's also one colorful, strangely motivated trip of a film. It is also available in the 2nd Bava boxed-set, in DVD format, and as a single disc release. As a horror film, the work is genius. Bava was a master, and this is one gory murder expose. The kill scenes were instant classics in their time, and the film has aged as well as Bava's earlier works like the beautifully gothic Black Sunday, or the giallo masterpiece, Blood and Black Lace. Yet, it remains incomparable to them in certain ways, and is more comparable to those he influenced including Argento and Fulci, and it's clear that his camerawork in this film helped take the stalker viewpoint into the slasher perspective, something that influenced his future counterparts in...
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He's Way More Famous Than You


Cult Classic in the Making
Humor may not be for the faint of heart (kinda like Bridesmaids-extreme-type-comedy) but funny as all hell especially if you know anything about the movie industry! Crazy comedy that holds no punches, be prepared for a self-debasing laugh fest that doesn't take itself too seriously (and you shouldn't either). Destined to be a cult classic!
Horrible vanity project
Not sure what Halley Pfeiffer hoped to get from this but it does nothing but make her look awful. if there's a joke somewhere, I hope it's on her. Excruciatingly terrible film and an embarrassment for everyone involved.
He's Way More Famous Than You
incredible. so funny. laughed out loud for a long time. felt so uncomfortable, it actually made me have to go the bathroom. the last fifteen minutes are killer. feiffer is a genius. so is spahn. they wrote something so awkward and hysterical. do more!
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Ain't In It For My Health: A Film About Levon Helm


Wonderful!
Levon Helm lived a life in music, one that unfortunately ended too soon last year when he was 71 years old. But what a life! His career traced the entire arc of the rock and roll era, from his early years seeing Elvis, Sonny Boy and Bill Monroe as a kid in Arkansas, to his years on the road as a member of Ronnie Hawkins and The Hawks, then leader of Levon And The Hawks, which became Dylan's first road band. Then The Hawks became The Band, the most respected band of the golden age of rock.

He played a decent guitar and a distinctive mandolin, but that voice! Levon was the voice of the American heartland, an iconic, craggy, lusty voice whether singing, acting and narrating, or just telling stories. And, oh yes, he was one the the very best drummers in the world. But his post-Band career, while artistically rich, left him ultimately broke, and in the late nineties cancer took his voice.

To pay the rent and medical bills, and just to play, he began hosting Midnight...
A Truly Beautiful Film
Nobody, however skilled, can make a decent documentary about an individual, band or indeed event, if the subject matter doesn't create a fascinating story. However in the case of Levon Helm this was surely the director's least concern - indeed it would be difficult to make a bad film about this fascinating musical maverick. But in the hands of the previously unknown Jacob Hatley - clearly a man destined for big things - the incredible story of Levon and his music is treated with finesse, skill and feeling to create possibly the best music documentary to emerge this year.

There are now 3 classic documentaries available that tell the story of The Band or members thereof and which all fans of this American institution should be sure are in pride of place in their collections.

The Last Waltz (Special Edition)
Dylan, Bob -...
A candid and intimate portrait of a truly inspirational man
This documentary accomplishes something rare in a biographical story: it is uplifting and heartbreaking at the same time. Watching Levon simultaneously struggle with illness while continuing to live and love life and create and perform beautiful music is powerfully inspiring. Listening to the stories about the dark side of his history with The Band was heartbreaking, and the filmmaker gives us a nuanced look at how Levon deals with his legacy with pride, but also with some bitterness about the music business. In his unguarded moments, we can see that Levon is still heartbroken over the loss of Richard Manuel and Rick Danko, and the interview sequences with Rick's widow are a brilliant juxtaposition that meshes Levon's story with the demise of The Band and the era in which they breathed rarefied air. I thank the filmmaker for this heartwarming portrait, and I treasure this intimate record of a slice of the life - and tragic death - of a man and musician I have always admired and...
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